The 2019 Reel Asian® Festival Awards were presented at the Awards Reception on November 10th at our 23rd festival, which ran November 7–15, 2019 in Downtown Toronto and North York.
2019 Festival Awards
REEL ASIAN BEST FEATURE FILM AWARD
All feature films are eligible for this prize.
$1,000 cash prize
Yellow Rose (Diane Paragas, Philippines/USA)

Jury statement: In the best tradition of films about a young person’s daring to follow her dreams, the Features Jury is pleased to award the Toronto Reel Asian International Film Festival Best Feature Award to Yellow Rose, directed by Diane Paragas. The jury appreciated the ground-zero setting of Texas in this tale of the human cost of anti-immigration policies. Above it all was the honest and assured performance by Eva Noblezada as Rose, and the sure-handed direction by Paragas.
FASKEN AUDIENCE AWARD
All feature works are eligible for this prize.
$2,500 cash prize
Yellow Rose (Diane Paragas, USA/Philippines)

The Last Stitch received an Honourable Mention for outstanding audience engagement.
CHCH TV BEST CANADIAN FILM OR VIDEO AWARD
All Canadian works are eligible for this prize.
$1,000 cash prize
To Live To Sing (Johnny Ma, China/France/Canada)

Jury statement: This film transports audiences to a small town in China and beautifully tells a timeless story of the struggle to preserve traditional Chinese opera in a way that not only honours the artform, but embodies it throughout. The jury was struck by the elements of Johnny Ma’s filmmaking, and the authenticity, nuance and complexity he brought to a narrative that gave us a deeper cultural insight into Chinese opera and evolving culture.
OSLER BEST FIRST FEATURE AWARD
All first feature films are eligible for this prize.
$1,500 cash prize
We Are Little Zombies (Makoto Nagahisa, Japan)

Jury statement: With We Are Little Zombies, Makoto Nagahisa goes beyond what we could have expected from a first feature, taking the universal experience of loss and portraying it through the lens of children in a way that feels fresh and entertaining, while also tapping into our need to understand who we are within our families.
ANIMASIAN AWARD
All Canadian animated works are eligible for this prize. This award celebrates the greatness of Asian Canadian animation artists.
$600 cash prize
Portrait of a Lady (Kenny Leoncito, Canada)

Jury statement: The jury selected the animated film Portrait of a Lady for its detailed, textured, distinctly haunting visuals, and meticulous soundscape. We were impressed by the filmmaker’s ability to combine the genres of romance and horror into one seamless dream-like film that depicts the urban legends surrounding the cursed painting, Portrait of a Lady.
THE TRUTH TO POWER AWARD
All feature-length documentary films are eligible for this $1,250 cash prize, donated by Karla Bobadilla, Diang Iu, Immanuel Lanzaderas, Sonia Sakamoto-Jog and Victoria Shen.
What We Left Unfinished (Mariam Ghani, Afghanistan/Qatar/USA)

Jury statement: With our relative privilege as Canadians, we don’t often get to see certain stories from certain lives. What We Left Unfinished brings to Toronto a story of survival and expression through examining a forgotten medium: unfinished propaganda films from Afghanistan. Ms. Ghani deftly weaves together archival footage, recent interviews, and atmospheric shots of destruction and what is rebuilt. We congratulate and thank her for bringing this film to Reel Asian.
DGC ONTARIO & WIFT-T FILM AWARD
All films made by female Ontario-based artists are eligible for this prize.
$1,000 cash prize, $1,200 programming pass and one-year membership to WIFT-T
Little Red (Jacqueline Shi, Canada)

Jury statement: We are thrilled to announce Jacqueline Shi’s Little Red as the winner of this year’s DGC Ontario / WIFT-T Award. We were extremely impressed with the skillful way in which the story was told through voice-over and visuals, and even more impressed that this film came to us through Reel Asian’s Unsung Voices program, from a first-time filmmaker. Congratulations, Jacqueline on what’s sure to be the start of a promising career.
AIR CANADA SHORT FILM OR VIDEO AWARD
All short films and videos are eligible for this prize. The selected films are curated into a programme and given the opportunity to broadcast on Air Canada’s in-flight entertainment screens on international flights. $1,000 cash award split amongst winners
Homesick (Koya Kamura, Japan/France)

Ghost (SJ Son & Woody Fu, USA)

CA$H (Tan Wei Ting, Singapore)

Worth (Meelad Moaphi, Canada/Pakistan)

Kneeling Sheep (Hai Rihan, USA/Inner Mongolia)

Secret Lives of Asians at Night (KEFF, USA)

Les Lèvres Gercées (Kelsi Phung & Fabien Corre, France)

Kar (Sahar Golshan, Canada – film made through the Reel Asian Unsung Voices workshop 2019)
In Passing (Esther Cheung, Canada)

Jury statement: The nine short films selected for this award are representative of the intersectional Asian experience and the wide range of perspectives, filmmaking approaches, and styles of storytelling from both emerging and established filmmakers across the region. These films evoke timely conversations and reflect our current times through bold stories at times humorous, political, poetic, and all deeply personal.
Honourable Mention: Sports Day (Lin Tu, China)
The jury would like to give an honourable mention to Lin Tu’s Sports Day. The film conveys the horror and violence of sexual assault in a conceptually unique way which moved all of us to our core. We want to recognize the intense storytelling and the enormity of the themes Lin Tu tackles in her film.
CHANGE CONNECT AWARD
All Canadian filmmakers under the age of 30 are eligible.
$500 cash prize
No Crying at the Dinner Table (Carol Nguyen, Canada)

Jury statement: The jury selected Carol Nguyen’s No Crying at the Dinner Table for this year’s Change Connect Award. Nguyen took us on an intimate journey with her family and the ways trauma lives in our bones, especially when unspoken. It’s a moving documentary that continues to sit with you, exploring intergenerational trauma, grief and the quiet struggles of immigrant families.
SO YOU THINK YOU CAN PITCH GOLD AWARD
Earthworms (Vince Ha)

This award includes:
- $4,000 cash
- Business affairs & legal consultation with Behind The Scenes Services
- Acting support (if applicable) from ACTRA Toronto, including consultation, coaching, and more
- Opportunity to premiere work at the 2020 Toronto Reel Asian International Film Festival (subject to review), with full festival accreditation
- Digital film and festival strategy consultation with CineSend
- A production workflow consultation with Charles Street Video, which includes:
- $2,700 in edit suite access and/or production equipment rentals
- Two sessions with Charles Street Video’s in-house editor
- One-year membership with Charles Street Video
SO YOU THINK YOU CAN PITCH SILVER AWARD
PostScript (Noor Khan)

This award includes:
- $1,000 cash
- Business affairs & legal consultation with Behind The Scenes Services
- Acting support (if applicable) from ACTRA Toronto, including consultation, coaching, and more
- Opportunity to premiere work at the 2020 Toronto Reel Asian International Film Festival (subject to review), with full festival accreditation
- Digital film and festival strategy consultation with CineSend
- A production workflow consultation with Charles Street Video, which includes:
- $1,400 in edit suite access and/or production equipment rentals
- Two sessions with Charles Street Video’s in-house editor
- One-year membership with Charles Street Video
2019 FEATURES JURY
Ishani Nath
Ishani Nath was born and raised in Ottawa, though that’s never stopped Uber drivers from asking her where she’s *actually* from. She is currently a freelance writer and editor who has appeared on CBC and has bylines in FLARE, Maclean’s and Reader’s Digest Canada. Covering everything from the latest must-see movie to the cultural significance of Indian jewelry for second gen kids is the reason why Nath loves her job—even on Mondays.
Stephen Gong
Stephen Gong is the executive director of the Center for Asian American Media, having been associated with CAAM since its founding in 1980. He lectured in the Asian American Studies program at UC Berkeley, teaching and writing on Asian American media history. Gong has provided critical commentary on projects including the Treasures From American Archives, Chan is Missing, and is the featured historian in the documentary Hollywood Chinese. He is Board Chair of the Center for Rural Strategies and serves on the advisory board of the San Francisco Silent Film Society.
Tiffany Hsiung
Tiffany Hsiung is a Toronto-based filmmaker. Her documentary debut, The Apology (‘16, NFB) has won awards internationally, including the Peabody Award and the Allan King Memorial Award. Hsiung co-created and co-directed the award-winning interactive web documentary The Space We Hold (‘17), directed episodes of Dino Dana (‘18) and participated in the Academy Women Director Mentorship Program. She just completed a short documentary hybrid The Bassinet (‘19) for Five @ 50: An Intimate Look at Contemporary LGBTQ2+ Lives and Identities (NFB) and is in post for her short documentary Sing Me a Lullaby (‘19, CBC).
2019 SHORTS JURY
Jenna Tenn-Yuk
Jenna Tenn-Yuk is a writer, speaker and facilitator who empowers people to share their stories and truths. She has spoken internationally at Harvard, The Walrus Talks and TEDx, exploring the complexities of race, faith, and queerness. Her writing has appeared in HuffPost, CBC, Broadview and Ottawa Citizen. She is a founding member of the Asian Canadian Women’s Alliance. Tenn-Yuk believes in the power of storytelling to break silences, connect people and change the world around us.
Mariam Zaidi
Mariam Zaidi is a South Asian filmmaker and arts manager based in Toronto. Zaidi’s work has been funded and supported by the CBC, LIFT, TAC, OAC, Canada Council for the Arts, BravoFACT! FACTOR Canada, and the NFB. Alongside her independent film work, Zaidi is currently the associate programmer at the Hot Docs Canadian International Documentary Festival and executive director at the Breakthroughs Film Festival.
Nicole Mendes
Nicole Mendes has spent the past decade working in Scripted Content at the CBC. As executive in charge of production for CBC Drama, she currently oversees Murdoch Mysteries, Anne With an “E,” a co-venture between CBC and Netflix, as well as Canada/New Zealand co-production, The Sounds with Shaftesbury and South Pacific Pictures. Mendes has served and sat on multiple juries and various industry panels with TIFF, WGC, DGC, and WIFT-T. She also serves on committees for POV 3rd Street and BIPOC TV & Film, organizations addressing inclusion and representation in the industry.
2019 SO YOU THINK YOU CAN PITCH JURY
Michael Fukushima
Michael Fukushima is studio head and executive producer of the National Film Board of Canada’s world-renowned English Animation Studio. After freelancing following college, Fukushima joined the Animation Studio in 1990 as a filmmaker, then became a studio producer, and is now head of the fabled studio, with over 200 films (and some nice awards and nominations) under his belt. These days he produces one or two films per year, by veteran creators like Torill Kove and Alison Snowden and David Fine, and otherwise offers up pearls of wisdom and wise-cracking bon mots.
Amar Wala
Amar Wala’s debut feature The Secret Trial 5 received the Emerging Filmmaker Jury Award at Hot Docs, and the Magnus Isacsson Award at RIDM. Often using his cinema to deconstruct notions of race and identity, Amar has also directed series for CBC, Viceland and the newly opened Shopify Studios. He is currently Director and Consulting Producer of CBC’s acclaimed Arts series In The Making. In the community, Amar served as the Chair of the Images Festival from 2015-2018, and he recently received the 2018 VANGUARD Award from the Documentary Organization of Canada.
Gloria Ui Young Kim
Born in Seoul, Korea, writer/director Gloria Ui Young Kim comes from a long line of media makers. She recently directed, wrote and produced her first feature, Queen Of The Morning Calm. Her last short Flamenco, won the 2017 Corus Fearless Female Filmmaker Award. She has won numerous Golds for her commercial work at the Bessies, Cannes Lions, ADCC, Marketing Magazine Awards and was chosen by Women in View as one of the 2017 Five in Focus, and is on the Board of Directors for Women in Film and Television-Toronto.
See photos from the 2019 Reel Asian Awards Ceremony here!

